Similarly haunted by the mistakes of his past, there are several phenomenal conversations Leon has with him detailing his regrets and lack of action up until now. And instead of the narrative being treated like a joke, Leon himself seems to use his sense of humor as a coping mechanism to combat the trauma he’s endured.Īnd one of the most prominent side-characters, Luis Sera, is given importance in the story. We see him struggling from the events of Raccoon City, haunted by the mistakes he made that day. Resident Evil 4 Remake opens in a way that immediately suggests things are changing, but it doesn’t quite get rid of Leon’s snarkiness. I wasn’t looking forward to the remake’s rendition of it, and I had no reason to believe it would shatter expectations. Beyond being an obnoxious mess of loud explosions, bombastic music, annoying enemies and simple level design, it lacks the subtle tension that makes these games shine. Resident Evil 4’s helicopter section is easily the worst aspect of the original. A believable dynamic between the two is something the original game never delivered. Leon asks if she’s okay, with Ashley responding with something along the lines of “yeah I’m fine, but this would’ve killed me before.” That growth we see from her, shifting from sheltered to hardened by the events around her, was enough to be sold on her character. One line as Leon and Ashley descend into deep brown murky waters still sticks with me. You can feel that being trapped in this terrible situation has forced them to become actual friends.

Yes, you can still tell Ashley probably has a bit of a crush on Leon, but his responses to it are mature. The two begin the game as proper strangers, yet at the end of it there’s a sort of silent supportive bond that isn’t there in the original.

With a fresh face, new outfit, and a wildly different relationship with Leon, it is significantly more mature. Resident Evil 4 remake’s Ashley might as well be a new character.

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